{"id":91891,"date":"2023-12-19T11:52:38","date_gmt":"2023-12-19T09:52:38","guid":{"rendered":"https:\/\/monumentiaperti.com\/it\/monumenti\/enaip-factory\/"},"modified":"2024-08-23T12:18:20","modified_gmt":"2024-08-23T10:18:20","slug":"enaip-factory","status":"publish","type":"monumento","link":"https:\/\/monumentiaperti.com\/it\/en\/monumenti\/enaip-factory\/","title":{"rendered":"Enaip Factory"},"content":{"rendered":"

Enaip Factory, with Enaip School and Enaip Lodge, forms a “Campus” specializing in wood furniture and design.
\nThe building in which it is located began as a factory, later housed the museum of the Riva 1920 company and, finally, was home to CLAC (Centro Legno Arredo Cant\u00f9).
\nA large arch designed by Cant\u00f9 architect P. Pininfarina is placed at the entrance.
\nEnaip Factory is a place to give space to “savoir faire” and design, which frees emotions, intercepts them and channels them into innovative study and design.
\nIt is a multi-purpose center with: cultural area (Library specialized in wood-furniture and design, Bruno Munari Collection, Rationalism Collection and Neoliberty Collection), co-working area and FabLab (Fabrication Laboratory), equipped with advanced technologies, where people, students companies design, develop and realize innovative ideas. <\/p>\n

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Collection: “Thirty-five pieces of furniture of Italian Rationalism” <\/strong><\/span>owned by Federlegno Arredo Eventi Spa<\/h3>\n

The collection, housed in Enaip Factory brings together furniture and furnishings designed and made between 1929 and 1940 in the Milan, Como and Turin areas.
\nThese are original examples of pieces put back into production or reconstructions made on the basis of original drawings and archival documentation.
\nSuch objects were designed by Figini, Pollini, Terragni, Asnago, Vender, Albini, Pagano and others.
\nThe exhibition highlights the conception of furniture that derives from architectural composition: in fact, “[…] today’s furniture must re-enter architecture, must return to be subjected to its meter and laws. It is necessary to get used to seeing interiors in a new way […]” (Figini and Pollini, Architecture of the Modern Environment. Notes and Morality, 1932). <\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Collection: “Neoliberty And Surroundings”<\/strong><\/span>owned by Federlegno Arredo Eventi Spa<\/strong><\/h3>\n<\/div>\n<\/div>\n
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The collection, housed in Enaip Factory, brings together furniture made by a group of architects who in the 1950s and 1960s unleashed a radical critique of the legacy of the Modern Movement and the figurative lines of modern furniture in formal research.
\nTheir experiments were among the most varied: it is difficult to find a common denominator other than the desire for research that invested the design of the individual piece of furniture and the design of the environment, within which they sought to establish (as the best Art Nouveau had taught) precise spatial relationships.
\nPreserved in this collection are objects that testify to the relationship between architects and designers with the Canturese furniture industry: among the designers we must mention Franco Albini, Ico and Luisa Parisi, and Gio Ponti. <\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Bruno Munari” Collection<\/strong><\/span>owned by the Municipality of Cant\u00f9, Associations of Friends of Cant\u00f9 Museums and private collectors<\/strong><\/h3>\n

The collection brings together more than 1,000 works including design objects, graphics, publishing and works of art, and is the result of a series of initiatives that various subjects in the area have developed since the exhibition that Munari himself organized in 1995 with the Association of Friends of Cant\u00f9 Museums.
\nMunari’s multifaceted activity, open to different artistic forms, overrides genres, aesthetic types and usual schemes so as to make its classification complex.
\nIn relation to the variety of research conducted by the artist and the particularity of the collection, it was chosen to classify the work into four categories: Publishing, Design, Art Multiples and Unique Works. <\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"author":12,"featured_media":69410,"template":"","meta":{"COMUNE":[],"note":[],"indirizzo":[],"accessibilita_mezzi":[],"coordinates":[],"images":[],"adesioni":[],"footnotes":""},"monumento_tipologia":[680,705,676],"accessibilita":[],"accessibilita_mezzi":[],"class_list":["post-91891","monumento","type-monumento","status-publish","has-post-thumbnail","hentry","monumento_tipologia-bene-architettonico-en","monumento_tipologia-intangible-asset","monumento_tipologia-museo-en"],"_links":{"self":[{"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/monumenti\/91891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/monumenti"}],"about":[{"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/types\/monumento"}],"author":[{"embeddable":true,"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/users\/12"}],"version-history":[{"count":5,"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/monumenti\/91891\/revisions"}],"predecessor-version":[{"id":100539,"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/monumenti\/91891\/revisions\/100539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/media\/69410"}],"wp:attachment":[{"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/media?parent=91891"}],"wp:term":[{"taxonomy":"monumento_tipologia","embeddable":true,"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/monumento_tipologia?post=91891"},{"taxonomy":"accessibilita","embeddable":true,"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/accessibilita?post=91891"},{"taxonomy":"accessibilita_mezzi","embeddable":true,"href":"https:\/\/monumentiaperti.com\/it\/en\/wp-json\/wp\/v2\/accessibilita_mezzi?post=91891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}